comic book hero


Since the Sony/Marvel announcement that Spider-Man would be joining the Marvel Cinematic Universe (MCU) in an upcoming film (likely Captain America: Civil War) before web-slinging his way into yet another reboot the following year, rumours have been swirling over who would take over from Andrew Garfield and don the red, tight, and blue. Hand-in-hand with the casting rumours are which incarnation of Spider-Man would appear in these films: Peter Parker or Miles Morales? Here are the reasons why it should, and will be, Miles Morales.

Who is Miles Morales?


Miles is an African American kid from Brooklyn who was also bitten by a radioactive spider and gains super powers. He exists in the Ultimate Universe of Marvel Comics, a series that is a little more action-packed and gritty (adult) than the regular Marvel Universe. In this universe, Peter is killed and Miles decides to become the next Spider-Man to honour Peter’s legacy. He aids S.H.I.E.L.D., fights many of the same baddies Peter tangled with, and even interacts with various characters we all know including Mary Jane Watson and Aunt May. He is a teenager, also loves science, and is a bit of an outcast at his charter school. Sound familiar?

Here are a few reasons I think we’ll see Miles Morales on the big screen soon:



Marvel has made a conscious shift towards being more diverse. In the last year, Marvel has changed the narrative that claimed their heroes were white-washed and predominantly male and totally flipped it on its head. Ms. Marvel became the first Muslim superhero, Thor was relaunched with a woman as the God of Thunder, they announced their first movie with a female lead in Captain Marvel, they also announced the Black Panther movie slated for 2018, and even The All-New, All-Different Avengers is a female led squad. Miles Morales would be a totally new spin on a character we all know pretty well at this point. It would bring Spider-Man into the 21st century and from a box office point of view, would drive people to the theatre to see a new origin story. I’d be shocked if people flock to see Peter get bitten and Uncle Ben die… again.

The Ultimates


The Ultimate story-line and appearances are very similar to the MCU. Nicky Fury looks just like Samuel L., Tony Stark is essentially Robert Downey, their costumes are incredibly similar, and the backstories are what you see on screen. The MCU is very closely aligned with the look and feel of these comics so it would make sense to include Miles. He is an updated Spider-Man and would fit well with the other updated Avengers.



Peter Parker is one of the most beloved superheroes. He has a massive fan base and everyone knows his look, personality, friends, family, girlfriends, backstory, and villains by heart. He is Marvel’s Superman or Batman, which is a blessing and a curse. Writers can only be so creative with a much-loved character like Peter Parker, if they mess up one tiny detail, or have him say a line that isn’t quite “Parker-esque” enough, everyone freaks out. It is a lose-lose situation for Sony and Marvel to do another movie with Peter. Having Miles as the new Spider-Man gives them total creative freedom to sculpt a new character however they’d like. They can more easily tie his backstory to The Avengers in a way that doesn’t completely change Peter’s narrative. This freedom is something Marvel has recently embraced with lesser-known character in Guardians and Ant-Man.



In the past week, a few names have been thrown around as having auditioned in top secret locations. Most rumours seem to revolve around Matues Ward, a 16 year-old Caucasian actor, which has lead many to suggest that we will be seeing a young Peter Parker and NOT Miles Morales in the new films. Joe Quesada, Marvel’s Chief Creative Officer, seems to have tipped Marvel’s hand here and in a recent Nerdist Podcast interview, Brian Michael Bendis (creator of Miles Morales) said that there were some really interesting and exciting developments in the works, but that he couldn’t say much more.



To me, it seems that Marvel is giving us the run-around. They somehow let slip who the front-runner was for Spider-Man? Quesada, who knows every little secret that’s coming, sat down at his keyboard and typed PETER FREAKING PARKER without thinking that it might set people off? These are calculated leaks to throw everyone off and to make the announcement of Miles Morales appearing in Civil War all the more buzzworthy.

I was wrong on Cumberbatch and I may be wrong here but my fingers crossed. I can say I’m not alone here as Ultimate Fallout #4 (First appearance of Miles) was a hot comic at Toronto Comic Con this weekend and there is a huge fan-base that would love to see Donald Glover as the next Spider-Man. Myself included.


The Five Hero Laws

There are many types of heroes in film, comics and television but many of the most memorable have a few things in common. These are all realizations I’ve made while watching action films. There are five laws to ensure the hero is a lovable character audiences will connect with. There are of course exceptions to all of these laws but for the most part, these are a great start to creating an epic hero.

Law One: Make Your Hero Lose Something (or someone)


Most of the best heroes start from a place of loss. Luke’s aunt and uncle. Ripley’s crew. Bruce Wayne’s parents. Spiderman’s uncle. Basically any comic book hero and some family member. In some cases, the hero works to get revenge, to make sense of their loss and, in other cases, the lost item serves as the Macguffin for the rest of the story.  For the audience to identify with the main character at all, they have to start from a common place emotionally. Everyone has lost someone or something important to them and can easily identify with the main characters when starting from this place of misery.

Law Two: No Love


This is a tricky one as the hero can  love someone but their love can’t be the driving force behind their actions. Some good examples of this are Aragorn, Han Solo, Spiderman, and Batman. All of these characters have love interests, wives, partners, whatever you want to call it but all of their journeys take place independent of these significant others. The driving force for each of these isn’t rescuing their loved one, winning their true love etc. in fact, most characters that are driven by love or passion end up being villains: Darth Vader, Gollum, Magneto, etc.

Law Three: No Killing (humans that is)


Almost every great hero ends up killing the antagonist at some point in their story. In some cases there are a few other casualties along the way but in almost no cases do the heroes end up killing a human to win the day. All of these villains are memorable, killed by our heroes and none are totally human: The Alien Queen, Darth Maul, Sauron, Malekeith, Greedo, Ronan, Red Skull, The Terminator, General Grievous, Jabba the Hutt. More often than not, if the villain is a human, they end up committing suicide, falling into a reactor, a vat of acid, a construction site, or a star while the hero tries in vain to save them. Rest assured in most cases, the hero killing their nemesis is accidental or an absolute last resort (Man of Steel).

Law Four: Lots and Lots of Faceless Killing


Star Wars, Avengers, Lord of the Rings, 300. These are some of the highest body count movies of all time and there are almost no humans with faces killed by our heroes in any of them. Star Wars has storm troopers and droids, Avengers has the Chitauri, Lord of the Rings has Orcs and Goblins. By having our heroes slay dozens of faceless cronies we are always on their side. We don’t feel guilty cheering for them. We revel in watching them cut down their foes because we don’t sympathize with orcs or storm troopers in the same way we would a human guard. Look at the good guys in all of these movies, they have armor with their faces showing and all of them are human or very close (elves are the only exception). Whenever our heroes do fight human enemies, they more often than not just knock them out or subdue them. You aren’t going to see Aragorn or Captain America beheading a human henchman.

Law Five: Suicide Mission


What better way to show that a hero is selfless than have them end their movie on a suicide mission? Of course they rarely, if ever, die (300 being the exception). Han flies into the Death Star core, Captain America crashes a plane, Ironman catches a Nuclear Warhead, Frodo and Sam march into Mordor. All of these characters emerge from certain demise relatively unscathed. Apparently a hero is willing to sacrifice themselves for the greater good but a real hero does so and survives.